Bright and Dark reference images » History » Version 19
Anchi Cheng, 06/14/2012 01:49 PM
1 | 1 | Amber Herold | h1. Bright and Dark reference images |
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4 | Bright and Dark reference images need to be acquired for every camera setting that will |
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5 | be used. The camera settings include image dimension, bin size, and offset. Over time, |
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6 | references may need to be repeatedly acquired. |
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10 | h2. Correction Channels |
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14 | When two flat-field-corrected images are correlated, there is often an origin peak |
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15 | derived from the common normalization image even if both image acquisition contains only |
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16 | noise. In order to avoid this problem, two or more sets of bright/dark references, and hence |
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17 | 18 | Anchi Cheng | normalization images can be obtained per camera configuration. When a correlation |
18 | 13 | Anchi Cheng | between two images are done, Leginon will check the channel of the correction the first |
19 | 1 | Amber Herold | acquired image has used and then force the new image to be corrected by a different |
20 | channel. |
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22 | 13 | Anchi Cheng | We recommend that you always acquire reference images on both channels. |
23 | 1 | Amber Herold | |
24 | h2. Acquire reference images |
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28 | 13 | Anchi Cheng | # scope> make sure that the digital camera will be acquiring images in an area with uniform |
29 | 1 | Amber Herold | beam intensity such as an empty area with no specimen nor support. You may skip a trip |
30 | to the scope room by sending one of the high mag preset to the scope from |
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31 | Leginon. |
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32 | 12 | Amber Herold | |
33 | # Leginon/Node Selector> Select "Correction" node. |
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34 | |
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35 | # Leginon/Correction/Toolbar> Open "Settings" window. |
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36 | |
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37 | # Leginon/Correction/Toolbar/Settings> Select one of the Common Camera |
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38 | 1 | Amber Herold | Configuration or select Custom mode and enter your own values based on the presets you |
39 | created. |
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40 | 12 | Amber Herold | |
41 | # Leginon/Correction/Settings/Camera Configuration> Enter the Exposure time. It |
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42 | 1 | Amber Herold | should be chosen so that the image is not saturated and ideally close to the condition |
43 | that will be used in the experiments. If unsure about the experimental condition, use an |
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44 | exposure time that gives high but not saturated counts. |
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45 | |
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46 | # Leginon/Correction/Settings>By default, the corrector node is set to average 3 |
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47 | images together to create one reference image and to despike the hot pixels with |
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48 | averaged neighbor hood values. These can be changed if desired. |
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49 | 12 | Amber Herold | |
50 | 1 | Amber Herold | # Leginon/Correction/Settings> Click OK to exit settings. |
51 | |
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52 | 13 | Anchi Cheng | # Leginon/Correction/Toolbar> Select "Channel 0" in the channel number |
53 | selector so that the next step will acquire only one image. |
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54 | |
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55 | 1 | Amber Herold | # Leginon/Correction/Toolbar> Select "Raw image " from the pull down list of |
56 | acquisition modes and then click on "Acquire" button next to the selector to view an |
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57 | image that is not corrected. |
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58 | 12 | Amber Herold | |
59 | 13 | Anchi Cheng | # Leginon/Correction/Toolbar> Select "Both Channels" in the channel number |
60 | selector so that the next steps will acquire images for both correction channels. |
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61 | |
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62 | 1 | Amber Herold | # Leginon/Correction/Toolbar> Select "Dark reference" in the acquisition mode |
63 | selector and then click "Acquire" to acquire the Dark reference image for this |
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64 | 12 | Amber Herold | particular camera configuration. |
65 | |
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66 | 1 | Amber Herold | # Leginon/Correction/Toolbar> Select "Bright reference" and repeat the acquisition |
67 | to obtain the Bright reference. |
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68 | 13 | Anchi Cheng | |
69 | # Leginon/Correction/Toolbar> Select "Channel 0" in the channel number |
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70 | selector so that the next step will acquire only one image. |
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71 | 12 | Amber Herold | |
72 | # Leginon/Correction/Toolbar> Select "Corrected image" and then "Acquire" to view |
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73 | 1 | Amber Herold | the corrected image. A corrected image should be free of artifacts and have smaller |
74 | standard deviation than the raw image, in general. |
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75 | 12 | Amber Herold | |
76 | 14 | Anchi Cheng | # Repeat steps 3-14 for all the images and bin sizes that will be used: |
77 | 12 | Amber Herold | |
78 | # If [[Bright and Dark reference images#Correction-Plan|a pixel, a column/row]] or a [[Bright and Dark reference images#Bad-Region-Correction|region]] gives bad values in the bright or dark image |
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79 | 1 | Amber Herold | after a few trials, it may be excluded in all corrected images. |
80 | 12 | Amber Herold | |
81 | 14 | Anchi Cheng | *Bright/Dark Reference Image Need for the Example MSI with 4kx4k camera:* |
82 | 11 | Amber Herold | |
83 | 17 | Anchi Cheng | |*Dimension after binning*|*Bin*|*number of correction channels*|*Notes*| |
84 | |4096|1|1 or 2 if used for tomo preset| | |
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85 | |1024|4|2|_(1)_| |
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86 | |1024(centered)|1|1|_(2)_| |
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87 | 18 | Anchi Cheng | |512|8|2|_(3)_| |
88 | |512 (centered)|1|1|_(3)_| |
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89 | 17 | Anchi Cheng | |
90 | 18 | Anchi Cheng | _(1)_-This camera configuration is used in preset beam shift alignment even if you don't use it for a preset. |
91 | _(2)_-This camera configuration is used in Manual Application Manual Focusing even if you don't use it for a preset. |
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92 | _(3)_-These camera configurations are used in preset image shift alignment even if you don't use it for a preset. |
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93 | 16 | Anchi Cheng | |
94 | 18 | Anchi Cheng | |
95 | 1 | Amber Herold | h2. Image Despike |
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99 | The Despike feature removes random bright or hot pixels from the acquired images. This |
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100 | hot pixel is assigned the average intensity of the surrounding area, a circle of the radius |
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101 | which is entered in Neighborhood Size. The Despike Threshold is the number of standard |
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102 | deviations away from the mean that qualifies a pixel for despike correction. The despike |
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103 | affects the flat-field corrected image saved on the disk and can not be recovered. |
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104 | Therefore, use a minimal neighborhood size to avoid artifact and set the threshold high to |
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105 | avoid over-despiking. |
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107 | Activation of this feature and its parameter settings are defined when in the pop-up dialog for "Edit Correction Plan". See below. |
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113 | 1 | Amber Herold | h2. Correction Plan |
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115 | 19 | Anchi Cheng | !correction_plan.png! |
116 | 1 | Amber Herold | |
117 | 19 | Anchi Cheng | Bad Pixel, Rows and Bad Cols are used to crop portions of the image that do not read well off of the digital camera. The values entered into here are determined empirically for each instrument that Leginon operates on. If one column or row of the images is incorrect, measure the location of the row and column that need to be removed from this image. These values should then be entered as a sequence of values separated by commas by editing the |
118 | 1 | Amber Herold | Plan. Click Save after adjusting. |
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121 | Individual bad pixel can also be corrected by its surrounding pixels. Choose these |
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122 | pixels with the selection tool on the image and then click on "Grab From Image". |
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128 | 14 | Anchi Cheng | |
129 | 1 | Amber Herold | h2. Find A Single Bad Pixel |
130 | 3 | Anchi Cheng | |
131 | 1 | Amber Herold | |
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133 | When a single pixel is defected, it may not be easy to find it on a large image, even if |
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134 | it changes the stats dramatically. A tool is available to help finding these pixels: |
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137 | 12 | Amber Herold | # Leginon/Correction> Acquire either a corrected image that shows the bad |
138 | 1 | Amber Herold | stats. |
139 | 12 | Amber Herold | |
140 | # Leginon/Correction/Toolbar> Left-click on the !http://emg.nysbc.org/software/leginon/images/icons/stagelocations.png! |
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141 | 1 | Amber Herold | button to "Add extreme points to bad pixel list". There |
142 | 12 | Amber Herold | |
143 | # Leginon/Correction/Tools> Left-click on the "Add Region" tool that looks like |
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144 | 1 | Amber Herold | "+". This adds the selected bad region to the bad pixel plan. |
145 | 12 | Amber Herold | |
146 | # Leginon/Corrections> Acquire a corrected image in the same configuration to |
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147 | 1 | Amber Herold | check if the apearance improves. |
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150 | h2. Bad Region Correction |
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152 | 14 | Anchi Cheng | Note: Bad region correction are corrected pixel-by-pixel. This can be *computational intensive* if a large region is included. If flat-field correction alone gives reasonable result, you should minimize usage of the this function. |
153 | 1 | Amber Herold | |
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155 | 14 | Anchi Cheng | When a large region is covered by a fallen chip, image correction through bright/dark reference may not be sufficient to produce a spike-free image since the bright and dark values in the region are almost identical. To add such a large region into bad pixel plan, do the following: |
156 | 1 | Amber Herold | |
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158 | 12 | Amber Herold | # Leginon/Correction> Acquire either a bright or corrected image that shows the |
159 | 1 | Amber Herold | bad region clearly. |
160 | 12 | Amber Herold | |
161 | # Leginon/Correction> Use "Regions" target tool next to the image to enclose the |
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162 | 1 | Amber Herold | bad region. The corners that the target tool identifies can be larger than the bad |
163 | region but should be close to its size so that not too much is corrected. |
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164 | 12 | Amber Herold | |
165 | # Leginon/Correction/Tools> Left-click on the "Add Region" tool that looks like |
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166 | 1 | Amber Herold | "+". This adds the selected bad region to the bad pixel plan. |
167 | 12 | Amber Herold | |
168 | # Leginon/Corrections> Acquire a corrected image in the same configuration to |
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169 | 10 | Amber Herold | check if the appearance improves. |
170 | 2 | Amber Herold | |
171 | ______ |
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173 | [[Pixel Size Calibration|< Pixel Size Calibration]] | [[Image Shift matrix calibration|Image Shift matrix calibration >]] |
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174 | |||
175 | ______ |