Pre-MSI Set-up » History » Version 4
Amber Herold, 06/21/2010 04:01 PM
1 | 1 | Amber Herold | h1. Pre-MSI Set-up |
---|---|---|---|
2 | |||
3 | |||
4 | |||
5 | h2. Design Presets |
||
6 | |||
7 | |||
8 | |||
9 | To start your own MSI experiment, you must decide what presets you want to use. Presets |
||
10 | are used to define scope and camera parameters with which images are acquired. |
||
11 | |||
12 | MSI presets can be customized to your need of data collection. By matching |
||
13 | nodes/subnodes in MSI with presets and move types, the behavior of the node is |
||
14 | defined. |
||
15 | |||
16 | For easy reference, preset names in MSI has been standardized at NRAMM although there |
||
17 | is no reason they have to be called in the way they are now. They are abbreviated to 2 |
||
18 | letter codes to reduce the length of the filenames that contains every preset used in its |
||
19 | family history. |
||
20 | |||
21 | 4 | Amber Herold | Example MSI preset nomenclature: |
22 | 1 | Amber Herold | |
23 | |_.Preset name:|_.abbrev for:|_.in the context of:| |
||
24 | |gr|grid|em grid| |
||
25 | |sq|square|em grid square| |
||
26 | |hl|hole|quantifoil hole| |
||
27 | |fc|focus|focus image to be checked with fft| |
||
28 | |fa|focus-auto|automatic focusing| |
||
29 | |en|exposure-near|close-to-zero defocus exposure image in a focal pair| |
||
30 | |ef|exposure-far|far-from-zero defocus exposure image in a focal pair| |
||
31 | |||
32 | |||
33 | |||
34 | 4 | Amber Herold | Example MSI preset parameters: |
35 | 1 | Amber Herold | |
36 | |_.Magnification:|_.Preset name:|_.Image Shift (x,y):|_.Dimension:|_.Binning:|_.Beam Coverage:|_.Exposure Time (ms):|_.Spot Size:|_.Defocus (m):| |
||
37 | |120|gr|Aligned|512|8|max|20|4|0.0| |
||
38 | |550|sq|Aligned|1024|4|1x CCD size|100|4|-2e-3| |
||
39 | |5000|hl|Aligned|512|8|1x CCD|20|4|-1.5e-4| |
||
40 | |50000|fc|0,0|512|1|<~ 1x CCD|300|4|-2e-6| |
||
41 | |50000|fa|0,0|1024|4|>2x CCD|50|4|-2e-6| |
||
42 | |50000|en|0,0|4096|1|2x CCD|170 (10e/A^2)|4|-1e-6| |
||
43 | |50000|ef|0,0|4096|1|2x CCD|170 (10e/A^2)|4|-2e-6| |
||
44 | |||
45 | |||
46 | |||
47 | 4 | Amber Herold | The preset parameters in this example are chosen to give the following properties: |
48 | 1 | Amber Herold | |
49 | |||
50 | |||
51 | |||
52 | 4 | Amber Herold | * *en* and *ef* is for final exposure and therefore has highest resolution and |
53 | 1 | Amber Herold | dimension. |
54 | |||
55 | |||
56 | 4 | Amber Herold | * *en* stands for near focus exposure and therefore has lower defocus value than |
57 | *ef*,the far-from-focus exposure. |
||
58 | 1 | Amber Herold | |
59 | |||
60 | 4 | Amber Herold | * *fa* is for high resolution autofocus and therefore need to be high mag. The |
61 | dimension and binning is a result of compromising speed, S/N ratio and sensitivity to |
||
62 | 1 | Amber Herold | details. |
63 | |||
64 | |||
65 | 4 | Amber Herold | * *fc* is for manual focus and ice melting and therefore more intense than *fa*. To get |
66 | 1 | Amber Herold | good FFT for checking Thon ring behavior, it is not binned. The small dimension is for |
67 | increasing speed. |
||
68 | |||
69 | |||
70 | 4 | Amber Herold | * *hl* is for intermediate targeting. It needs to cover the error range of modeled |
71 | 1 | Amber Herold | stage position to allow final targeting by image shift only, hence the magnification. |
72 | The binning is for speed. |
||
73 | |||
74 | |||
75 | 4 | Amber Herold | * *sq* is for grid square targeting. The image produced by the preset need to cover |
76 | 1 | Amber Herold | most if not all of the square but with enough resolution to evaluate the |
77 | content. |
||
78 | |||
79 | |||
80 | 4 | Amber Herold | * *gr* is for producing grid atlas. It is selected based on the size number of tiles |
81 | 1 | Amber Herold | needed to cover the whole grid in an acceptable time and the amount of distortion |
82 | common to very low mag imaging. |
||
83 | |||
84 | |||
85 | |||
86 | |||
87 | |||
88 | |||
89 | In designing your own preset, follow the above properties using a mag that gives the |
||
90 | required coverage with your scope, camera, and grid mesh. If you have a 2k or 1k camera, |
||
91 | binning may not be as necessary as for a 4k camera whose data acquisition time is 10-30 sec |
||
92 | without binning. |
||
93 | |||
94 | |||
95 | |||
96 | |||
97 | |||
98 | h2. Calibrations |
||
99 | |||
100 | |||
101 | If this is the first time calibrations have ever been completed for Leginon, complete |
||
102 | 3 | Alex Kadokura | all the calibrations listed in [[Leginon "Calibrations" Application|the chapter on |
103 | calibrations]]. Calibrations are extremely important to operate the TEM in a |
||
104 | 1 | Amber Herold | consistent manner. As long as the calibrations are stable, later users do not need to |
105 | perform them. Most calibrations are HT and magnification dependent. Therefore, new |
||
106 | calibration may be required if your presets use different HT and/or magnification from all |
||
107 | previous users. |
||
108 | 2 | Amber Herold | |
109 | |||
110 | ______ |
||
111 | |||
112 | [[Summary of MSI applications|< Summary of MSI applications]] | [[Initial MSI application preferences|Initial MSI application preferences >]] |
||
113 | |||
114 | ______ |